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Interplanetary Donatella? That sounds like a lost masterpiece from space-rock gods Hawkwind.
The metal details came hard and heavy in the collection: studs on denim, mesh bandannas, chains round necks or harnessing torsos, hook-and-eye closings. Definitive: Lindsey Wixson in a shag cut, sheer blouse, black bandeau, denim pencil skirt hook-and-eyed down the front like it was stapled shut, and towering platform sandals bound to her feet with elastic bands. But if the clothes looked tough, they had a surprising softness (there was a lot of linen in the denim), or at least a richness. The hard, hip-slung, sheeny circle skirts that opened the show were actually raffia.
To be perfectly frank, those opening looks—the collection's manifesto, if you like—threw major shade on the more traditional wrapped and revealing evening looks that closed the show. That might be the Versace that Donatella imagines people expect from her. But how much better it is when she lets her rock 'n' roll heart run free.
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